“Manipulation/Dis-Integration/Displaced” consists of paintings that are the result of eight years of work continuing my interest in the “manipulation” of information. In a world where terrorism, ethnic cleansing, and cultural upheaval have dominated the news headlines, these paintings focus on the devastating effect of war and its impact on the civilian population.
Entitled Manipulation / Disintegration/Displaced, this series correlates the displacement of civilians in war-torn countries with a visual disintegration of form, evident in both the creative process and in the final painted product. In each painting, the chaos of cultural disintegration is symbolized by the fragmentation of the picture plane.
With repeated editing, I appropriate images from journalistic sources, “blowing apart the reality” of the photograph so that the final result is distilled and disintegrated from its original context, and reduced into unpredictably flatly colored eccentric shapes further emphasizing the fragmentation of form and removal from its original source. The process of translating these manipulated images into oil paintings involves a change in scale, color and texture, reflecting as well, the political "sanitization" of the horrors of war.