I
take my inspiration from urban environments and look for subjects that
tell a story about the time or place in which I live. I work mainly from
photographs of impermanent situations that I come across on a daily
basis. My subjects are chosen initially for their humour and visual
impact. However, underneath the surface is a reflection on society. Of
particular interest to me is the relationship between affluence and
waste.
I
choose to focus mainly on discarded or found objects. Chosen for their
ability to appear both humorous and vulnerable when taken out of their
normal environments and ejected into the outside world. They work as a
rough survey of modern tastes and trends, representing the impact of
mass consumption; they also work as a metaphor for homelessness and
remind us of our impact on the world.
To
produce my work I employ a number of different techniques and approaches
including line drawing, stencilling and painting. The choice of
technique is dictated by the way in which my subject communicates with
me. I enjoy using bright acidic colours and strong visual lines as a
tool to create a sense of installation and drama on the canvas. I am
also influenced by the visual language of advertising and surface design
from the 1950’s 70’s and 80’s, which come through in my visual
aesthetic and use of pattern.
The
products of my work are vibrant, graphically influenced images of
discarded objects and passed over situations. It is intended that these
images appeal on both a visual and intellectual level inspiring the
viewer to experience the world in a different way.
