My intention is for people to use my work as visual situations for contemplation and pleasure.
Geometric imagery has through the ages been a powerful format for suggesting spiritual aspirations. So, too, the geometry of my work exists to focus the mind and senses in a contemplative way.
I am compelled by the physical sensation of seeing—not optics per se, but rather how the feeling of seemingly simple visual experiences can make complicated connections throughout life. Sources for my work can be found literally anywhere in the things I see daily. Fragments from this experience undergo a process of distillation in my art.
Perhaps contrary to their first impression, my compositions are not pre-planned or measured ahead of time. General ideas about color, surface, and shape may exist in the mind and in the form of rough sketches, but my process of working is a direct one—a relationship with each piece individually with decisions being made intuitively along the way.
